{"version":"1.0","type":"rich","provider_name":"Context XXI","provider_url":"http:\/\/contextxxi.org","title":"Contemporary Moscow\n","author_name":"Amelie Lanier","width":"1200","height":"800","url":"https:\/\/contextxxi.org\/contemporary-moscow-17447.html","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/contextxxi.org\/contemporary-moscow-17447.html'\u003EContemporary Moscow\n\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003EVDNKh \u2013 the exposition of Soviet progress\n\n\u003Cbr \/\u003EVDNKh \u2013 Vystavka Dostizheniy Narodnovo Khosyaistva = Exhibition of the Achievements of National Economy, is nowadays called officially VVTs \u2013 All-Russian Center for Exhibitions. It was renamed in 1992 by a decree by Boris Jelzin, and has been trying to present itself as an exhibition center.It got started, though, as something quite different.\n\n\u003Cbr \/\u003EVDNKh was originally constructed as the Exhibition of Agriculture of the Whole Soviet Union, and \u003Ca href=\"..\/contemporary-moscow-17447.html\" class=' pts_suite'\u003E(...)\u003C\/a\u003E\u003C\/blockquote\u003E\n"}